Tillana
| Carnatic music |
|---|
 |
| Concepts |
| Compositions |
| Instruments |
|
A Tillana or thillana is a rhythmic piece in South Indian carnatic music that is generally performed at the end of a concert and widely used in classical Indian dance performances. It was popularised by M Balamuralikrishna, Lalgudi Jayaraman and some other musicians[1][2][3] A Tillana uses tala-like phrases in the pallavi and anupallavi, and lyrics in the charanam.
The thillana is based on the tarana which was introduced by Amir Khusrau (1253-1325 CE).[4]
References
[edit]- ↑ "Pure aural feast". The Hindu. 16 February 2012. Retrieved 18 February 2012.
- ↑ Subrahmanyam, Velcheti (2 February 2012). "Master holds in hypnotic spell". The Hindu. Retrieved 18 February 2012.
- ↑ Kumar, Ranee (16 February 2012). "Resonant repertoire". The Hindu. Retrieved 18 February 2012.
- ↑ Singh, Thakur Jai Deva (1975). "Khusrau's Musical Compositions". In Ansari, Zoe (ed.). Life, Times & Works of Amir Khusrau Dehlavi. New Delhi: National Amir Khusrau Society. p. 276.
 | This article related to Carnatic music is a stub. You can help Wikipedia by adding missing information. |