| Rank |
Page title |
Views |
Daily average |
Assessment |
Importance |
|---|
| 1 |
Banksy |
72,930 |
2,431 |
B |
Mid |
| 2 |
PDF |
64,109 |
2,136 |
B |
High |
| 3 |
Printing press |
43,351 |
1,445 |
GA |
High |
| 4 |
Bauhaus |
36,091 |
1,203 |
B |
Top |
| 5 |
Dash |
33,917 |
1,130 |
B |
Low |
| 6 |
Adobe Photoshop |
33,340 |
1,111 |
C |
Mid |
| 7 |
Tron |
31,779 |
1,059 |
B |
Low |
| 8 |
Frutiger Aero |
31,622 |
1,054 |
GA |
Low |
| 9 |
Heart symbol |
22,374 |
745 |
Start |
Mid |
| 10 |
Helvetica |
19,422 |
647 |
C |
High |
| 11 |
Barber's pole |
19,401 |
646 |
B |
Low |
| 12 |
Advertising |
19,015 |
633 |
C |
High |
| 13 |
Typeface |
18,181 |
606 |
B |
Mid |
| 14 |
Adobe Flash |
17,691 |
589 |
C |
Unknown |
| 15 |
Liquid Glass |
16,319 |
543 |
GA |
Low |
| 16 |
Gender symbol |
15,751 |
525 |
Start |
Low |
| 17 |
Shades of gray |
15,510 |
517 |
List |
Low |
| 18 |
GIMP |
14,826 |
494 |
B |
Low |
| 19 |
Macintosh 128K |
14,234 |
474 |
B |
Mid |
| 20 |
Pantone |
14,134 |
471 |
B |
Low |
| 21 |
Swoosh |
14,103 |
470 |
Start |
Low |
| 22 |
Eric Carle |
13,669 |
455 |
C |
Low |
| 23 |
Adobe Illustrator |
13,017 |
433 |
C |
Mid |
| 24 |
Lisa Frank |
12,814 |
427 |
C |
Low |
| 25 |
Adobe Acrobat |
12,572 |
419 |
C |
Mid |
| 26 |
Graphic design |
12,084 |
402 |
C |
Top |
| 27 |
Minimalism |
11,273 |
375 |
C |
Mid |
| 28 |
Shepard Fairey |
11,147 |
371 |
B |
Low |
| 29 |
Mascot |
11,067 |
368 |
Start |
Low |
| 30 |
Typography |
10,924 |
364 |
C |
Mid |
| 31 |
Triptych |
10,838 |
361 |
C |
Low |
| 32 |
Krita |
10,330 |
344 |
C |
Unknown |
| 33 |
Dieter Rams |
10,250 |
341 |
B |
High |
| 34 |
Corporate Memphis |
10,010 |
333 |
GA |
Low |
| 35 |
All caps |
9,761 |
325 |
B |
Mid |
| 36 |
Web design |
9,506 |
316 |
C |
High |
| 37 |
3D computer graphics |
9,443 |
314 |
C |
Mid |
| 38 |
Jumpman (logo) |
9,200 |
306 |
Start |
Low |
| 39 |
Peter Blake (artist) |
8,965 |
298 |
C |
High |
| 40 |
Craig Braun |
8,824 |
294 |
B |
Low |
| 41 |
Ambigram |
8,240 |
274 |
B |
Mid |
| 42 |
Parsons School of Design |
8,234 |
274 |
C |
Low |
| 43 |
Alfred A. Knopf |
8,219 |
273 |
C |
Low |
| 44 |
No symbol |
8,130 |
271 |
C |
Low |
| 45 |
Paul Rand |
8,085 |
269 |
B |
High |
| 46 |
Ideogram |
8,065 |
268 |
Start |
Mid |
| 47 |
I Love New York |
8,054 |
268 |
Start |
Low |
| 48 |
Creative director |
7,911 |
263 |
Start |
Mid |
| 49 |
Saul Bass |
7,797 |
259 |
B |
High |
| 50 |
De Stijl |
7,691 |
256 |
B |
Mid |
| 51 |
Voxel |
7,683 |
256 |
C |
Mid |
| 52 |
Raster graphics |
7,639 |
254 |
C |
Low |
| 53 |
LoveFrom |
7,524 |
250 |
C |
Low |
| 54 |
Protect the Dolls |
6,704 |
223 |
B |
Low |
| 55 |
Image editing |
6,152 |
205 |
C |
Mid |
| 56 |
Comparison of European road signs |
5,457 |
181 |
List |
Low |
| 57 |
Screensaver |
5,347 |
178 |
B |
Unknown |
| 58 |
Three hares |
5,336 |
177 |
B |
Mid |
| 59 |
Susan Kare |
5,269 |
175 |
B |
High |
| 60 |
Procreate (software) |
5,064 |
168 |
C |
Mid |
| 61 |
Halftone |
5,013 |
167 |
C |
Unknown |
| 62 |
Adobe InDesign |
4,989 |
166 |
Start |
High |
| 63 |
PostScript |
4,868 |
162 |
C |
High |
| 64 |
Wonton font |
4,806 |
160 |
Start |
Low |
| 65 |
Eric Haze |
4,799 |
159 |
Start |
Unknown |
| 66 |
List of airline liveries and logos |
4,785 |
159 |
List |
Low |
| 67 |
Peter Saville (graphic designer) |
4,714 |
157 |
C |
High |
| 68 |
Photograph manipulation |
4,638 |
154 |
C |
Low |
| 69 |
Antiqua–Fraktur dispute |
4,492 |
149 |
C |
Low |
| 70 |
Native American mascot controversy |
4,472 |
149 |
GA |
Low |
| 71 |
Graphic designer |
4,455 |
148 |
Start |
Top |
| 72 |
In Praise of Shadows |
4,430 |
147 |
C |
Mid |
| 73 |
Risograph |
4,429 |
147 |
Start |
Low |
| 74 |
Lisa Frank Incorporated |
4,383 |
146 |
B |
Low |
| 75 |
Josef Albers |
4,306 |
143 |
B |
Low |
| 76 |
Ulster County "I Voted" sticker |
4,194 |
139 |
C |
Low |
| 77 |
Alpha compositing |
4,193 |
139 |
Start |
Unknown |
| 78 |
Adobe Dreamweaver |
4,173 |
139 |
C |
Mid |
| 79 |
Swiss Style (design) |
4,151 |
138 |
Start |
Unknown |
| 80 |
Global Village Coffeehouse |
3,989 |
132 |
Stub |
Low |
| 81 |
Marker pen |
3,931 |
131 |
Start |
Low |
| 82 |
Herbert Matter |
3,876 |
129 |
Start |
Mid |
| 83 |
Edward Tufte |
3,811 |
127 |
B |
Mid |
| 84 |
Stationery |
3,805 |
126 |
Start |
Low |
| 85 |
List of works by Banksy |
3,718 |
123 |
List |
Low |
| 86 |
Univers |
3,710 |
123 |
C |
Low |
| 87 |
László Moholy-Nagy |
3,681 |
122 |
C |
Unknown |
| 88 |
Desktop publishing |
3,669 |
122 |
C |
Mid |
| 89 |
Poster |
3,669 |
122 |
C |
High |
| 90 |
Milton Glaser |
3,566 |
118 |
C |
Mid |
| 91 |
Film poster |
3,539 |
117 |
B |
Low |
| 92 |
Behance |
3,502 |
116 |
C |
Low |
| 93 |
Letterpress printing |
3,409 |
113 |
C |
High |
| 94 |
Eraser |
3,356 |
111 |
Start |
Low |
| 95 |
Wanted poster |
3,273 |
109 |
C |
Low |
| 96 |
National Design Studio |
3,249 |
108 |
C |
Low |
| 97 |
Ben Day process |
3,225 |
107 |
Start |
Mid |
| 98 |
Style guide |
3,224 |
107 |
Start |
Mid |
| 99 |
Book design |
3,223 |
107 |
C |
Unknown |
| 100 |
User interface design |
3,215 |
107 |
C |
Low |
| 101 |
Neon sign |
3,154 |
105 |
Start |
Mid |
| 102 |
Mood board |
3,104 |
103 |
Start |
Low |
| 103 |
Mike Winkelmann |
3,097 |
103 |
Start |
Low |
| 104 |
Signage |
3,090 |
103 |
Start |
Mid |
| 105 |
Lorraine Wild |
3,039 |
101 |
Start |
Low |
| 106 |
David Dees |
2,993 |
99 |
Start |
Low |
| 107 |
Art director |
2,948 |
98 |
Start |
Mid |
| 108 |
Alan Dye |
2,882 |
96 |
Start |
Low |
| 109 |
Business card |
2,862 |
95 |
Start |
Unknown |
| 110 |
Harvey Ball |
2,827 |
94 |
C |
Low |
| 111 |
Debbie Millman |
2,804 |
93 |
Start |
Low |
| 112 |
Road signs in Spain |
2,741 |
91 |
C |
Low |
| 113 |
Infinite scrolling |
2,701 |
90 |
Start |
Unknown |
| 114 |
Everydays: the First 5000 Days |
2,670 |
89 |
Start |
Low |
| 115 |
Visiting card |
2,632 |
87 |
Start |
Unknown |
| 116 |
Harry Beck |
2,560 |
85 |
C |
Low |
| 117 |
Saul Steinberg |
2,554 |
85 |
Start |
Mid |
| 118 |
Letterhead |
2,554 |
85 |
Unknown |
Unknown |
| 119 |
Harvey balls |
2,523 |
84 |
Start |
Low |
| 120 |
Web banner |
2,511 |
83 |
Start |
Mid |
| 121 |
Veralto |
2,509 |
83 |
Start |
Unknown |
| 122 |
Global spread of the printing press |
2,503 |
83 |
B |
High |
| 123 |
Outdoor advertising |
2,469 |
82 |
Start |
Low |
| 124 |
Cigarette card |
2,467 |
82 |
Start |
Mid |
| 125 |
Visual communication |
2,414 |
80 |
Start |
High |
| 126 |
International Typographic Style |
2,404 |
80 |
Start |
Low |
| 127 |
QuarkXPress |
2,381 |
79 |
Start |
High |
| 128 |
Anti-aliasing filter |
2,353 |
78 |
C |
Low |
| 129 |
J. Walter Thompson |
2,294 |
76 |
Start |
Low |
| 130 |
Massimo Vignelli |
2,166 |
72 |
C |
High |
| 131 |
Paula Scher |
2,160 |
72 |
C |
Unknown |
| 132 |
Motion graphic design |
2,103 |
70 |
Stub |
Mid |
| 133 |
2D computer graphics |
2,102 |
70 |
C |
Mid |
| 134 |
Picnik |
2,080 |
69 |
Start |
Low |
| 135 |
D. Udaya Kumar |
2,045 |
68 |
Start |
Low |
| 136 |
Digital signage |
2,039 |
67 |
Start |
Mid |
| 137 |
Pentagram (design firm) |
2,035 |
67 |
C |
High |
| 138 |
The Medium Is the Massage |
2,010 |
67 |
Start |
Low |
| 139 |
Minimalism (visual arts) |
1,990 |
66 |
C |
Low |
| 140 |
Don't Mess with Texas |
1,978 |
65 |
Start |
Unknown |
| 141 |
Polyptych |
1,974 |
65 |
C |
Low |
| 142 |
Ed Thrasher |
1,963 |
65 |
Start |
Low |
| 143 |
Ben Shahn |
1,951 |
65 |
B |
Low |
| 144 |
Atkinson Hyperlegible |
1,951 |
65 |
C |
Low |
| 145 |
The Designers Republic |
1,941 |
64 |
C |
Low |
| 146 |
PGF/TikZ |
1,916 |
63 |
C |
Low |
| 147 |
Pen & Pixel |
1,898 |
63 |
Start |
Unknown |
| 148 |
Raster graphics editor |
1,895 |
63 |
Start |
Low |
| 149 |
Spatial anti-aliasing |
1,894 |
63 |
C |
Mid |
| 150 |
Warming stripes |
1,816 |
60 |
B |
Mid |
| 151 |
Big-character poster |
1,799 |
59 |
B |
Low |
| 152 |
Rabbits and hares in art |
1,780 |
59 |
C |
Low |
| 153 |
Exit sign |
1,757 |
58 |
Start |
Low |
| 154 |
Digital on-screen graphic |
1,736 |
57 |
Start |
Low |
| 155 |
British Rail Double Arrow |
1,734 |
57 |
C |
Low |
| 156 |
Chip Kidd |
1,697 |
56 |
Start |
Low |
| 157 |
Otl Aicher |
1,695 |
56 |
Start |
High |
| 158 |
British Airways ethnic liveries |
1,673 |
55 |
Start |
Low |
| 159 |
Cover art |
1,668 |
55 |
Start |
High |
| 160 |
David Carson (graphic designer) |
1,666 |
55 |
Start |
Low |
| 161 |
Suki Lopez |
1,580 |
52 |
C |
Low |
| 162 |
Consumer Aesthetics Research Institute |
1,577 |
52 |
Start |
Low |
| 163 |
Obama logo |
1,569 |
52 |
B |
Mid |
| 164 |
Comparison of raster graphics editors |
1,546 |
51 |
C |
Mid |
| 165 |
Calculator (Apple) |
1,531 |
51 |
Start |
Low |
| 166 |
Alfred A. Knopf Sr. |
1,515 |
50 |
Start |
Low |
| 167 |
Ransom note effect |
1,512 |
50 |
Start |
Low |
| 168 |
Vaughan Oliver |
1,486 |
49 |
B |
Unknown |
| 169 |
Leo Lionni |
1,473 |
49 |
C |
Low |
| 170 |
Vector graphics editor |
1,447 |
48 |
Start |
Mid |
| 171 |
Isotype (picture language) |
1,443 |
48 |
Start |
Low |
| 172 |
Web typography |
1,439 |
47 |
C |
Low |
| 173 |
ANSI art |
1,414 |
47 |
Start |
Unknown |
| 174 |
Cassandre |
1,412 |
47 |
Start |
Mid |
| 175 |
History of graphic design |
1,394 |
46 |
C |
Low |
| 176 |
Paste up |
1,386 |
46 |
Start |
Low |
| 177 |
Koloman Moser |
1,361 |
45 |
C |
Mid |
| 178 |
Screen space ambient occlusion |
1,347 |
44 |
Start |
Low |
| 179 |
Storyboard artist |
1,332 |
44 |
Start |
Mid |
| 180 |
Hamid Nadimi |
1,319 |
43 |
Redirect |
NA |
| 181 |
Richard Saul Wurman |
1,315 |
43 |
Start |
Unknown |
| 182 |
Page layout |
1,308 |
43 |
B |
Mid |
| 183 |
Image stitching |
1,291 |
43 |
C |
Low |
| 184 |
Kuwahara filter |
1,288 |
42 |
C |
Low |
| 185 |
Extinction symbol |
1,288 |
42 |
Start |
Low |
| 186 |
John Maeda |
1,267 |
42 |
Start |
Unknown |
| 187 |
Hermann Zapf |
1,249 |
41 |
C |
Low |
| 188 |
Daniel Sotomayor |
1,247 |
41 |
Start |
Low |
| 189 |
Shigetaka Kurita |
1,244 |
41 |
Start |
Low |
| 190 |
Stephen Lemay |
1,227 |
40 |
Start |
Low |
| 191 |
Jan Tschichold |
1,222 |
40 |
Start |
Unknown |
| 192 |
Stefan Sagmeister |
1,221 |
40 |
C |
High |
| 193 |
Communication design |
1,207 |
40 |
Start |
Low |
| 194 |
Josef Müller-Brockmann |
1,206 |
40 |
Start |
Unknown |
| 195 |
Commercial art |
1,201 |
40 |
Start |
Mid |
| 196 |
Neville Brody |
1,199 |
39 |
C |
High |
| 197 |
Tadanori Yokoo |
1,197 |
39 |
Start |
Low |
| 198 |
Polish School of Posters |
1,187 |
39 |
C |
Low |
| 199 |
History of CAD software |
1,183 |
39 |
Start |
Low |
| 200 |
Emily Carr University of Art and Design |
1,173 |
39 |
Start |
Mid |
| 201 |
Karim Rashid |
1,169 |
38 |
B |
Mid |
| 202 |
Bruno Munari |
1,162 |
38 |
C |
Mid |
| 203 |
Gerald Holtom |
1,161 |
38 |
Start |
Low |
| 204 |
Sustainable design |
1,153 |
38 |
C |
Mid |
| 205 |
Matthew Carter |
1,138 |
37 |
Start |
Mid |
| 206 |
List of common 3D test models |
1,110 |
37 |
List |
Low |
| 207 |
S. Neil Fujita |
1,101 |
36 |
Start |
Low |
| 208 |
Secession (art) |
1,090 |
36 |
B |
Mid |
| 209 |
Bill Gold |
1,087 |
36 |
C |
Low |
| 210 |
Michael Okuda |
1,084 |
36 |
Start |
Mid |
| 211 |
Chimping |
1,060 |
35 |
Start |
Low |
| 212 |
Herbert Bayer |
1,045 |
34 |
Start |
Mid |
| 213 |
Marq (company) |
1,045 |
34 |
C |
Low |
| 214 |
Vignette (graphic design) |
1,039 |
34 |
Start |
Mid |
| 215 |
Depth map |
1,033 |
34 |
Start |
Low |
| 216 |
Chermayeff & Geismar & Haviv |
1,023 |
34 |
Start |
High |
| 217 |
Macromedia FreeHand |
1,023 |
34 |
B |
Mid |
| 218 |
Yinka Ilori |
1,022 |
34 |
B |
Mid |
| 219 |
Dribbble |
1,013 |
33 |
Start |
Low |
| 220 |
XX (novel) |
1,013 |
33 |
Stub |
Low |
| 221 |
Color code |
1,002 |
33 |
Start |
Mid |
| 222 |
Jessica Walsh |
965 |
32 |
C |
Mid |
| 223 |
Blob emoji |
962 |
32 |
Start |
Low |
| 224 |
Richard Amsel |
925 |
30 |
C |
Low |
| 225 |
Image tracing |
920 |
30 |
Start |
Mid |
| 226 |
Bumper sticker |
908 |
30 |
Start |
Low |
| 227 |
AARON |
897 |
29 |
Start |
Low |
| 228 |
ASCII porn |
894 |
29 |
Stub |
Low |
| 229 |
Tim Jacobus |
893 |
29 |
Stub |
Unknown |
| 230 |
Michael Bierut |
893 |
29 |
C |
High |
| 231 |
Alston Purvis |
878 |
29 |
Start |
Low |
| 232 |
Municipal device of Chicago |
876 |
29 |
Stub |
Low |
| 233 |
George Lois |
873 |
29 |
Start |
Low |
| 234 |
John Pasche |
868 |
28 |
Start |
High |
| 235 |
List of desktop publishing software |
866 |
28 |
List |
Unknown |
| 236 |
Particle system |
858 |
28 |
C |
High |
| 237 |
Tibor Kalman |
856 |
28 |
Start |
Mid |
| 238 |
Grid (graphic design) |
829 |
27 |
Start |
Low |
| 239 |
Alexey Brodovitch |
814 |
27 |
B |
Low |
| 240 |
Modo (software) |
800 |
26 |
Start |
Low |
| 241 |
Reggie Parks |
784 |
26 |
Start |
Unknown |
| 242 |
Visual design elements and principles |
765 |
25 |
Disambig |
NA |
| 243 |
Error diffusion |
759 |
25 |
C |
Low |
| 244 |
Maxime Plescia-Büchi |
758 |
25 |
Start |
Low |
| 245 |
Visual hierarchy |
750 |
25 |
B |
High |
| 246 |
American Institute of Graphic Arts |
729 |
24 |
Start |
Unknown |
| 247 |
Herb Lubalin |
726 |
24 |
Start |
Mid |
| 248 |
Shigeo Fukuda |
712 |
23 |
Start |
Low |
| 249 |
Seymour Chwast |
701 |
23 |
C |
Mid |
| 250 |
Leonard Baskin |
701 |
23 |
Start |
Low |
| 251 |
Section (typography) |
696 |
23 |
Start |
Low |
| 252 |
ISO 690 |
687 |
22 |
C |
Unknown |
| 253 |
Vizrt |
671 |
22 |
Start |
Low |
| 254 |
Jim Phillips (illustrator) |
668 |
22 |
Start |
Low |
| 255 |
Faux Hebrew |
666 |
22 |
Stub |
Low |
| 256 |
Graphic design occupations |
664 |
22 |
Start |
Mid |
| 257 |
Stripe (pattern) |
658 |
21 |
Start |
Low |
| 258 |
Tomato (design collective) |
646 |
21 |
Start |
Low |
| 259 |
Sheila Levrant de Bretteville |
631 |
21 |
C |
Unknown |
| 260 |
Elaine Bass |
609 |
20 |
C |
Low |
| 261 |
Reid Miles |
607 |
20 |
Start |
Low |
| 262 |
Michael Doret |
606 |
20 |
Start |
Low |
| 263 |
GUI |
589 |
19 |
Redirect |
NA |
| 264 |
April Greiman |
588 |
19 |
C |
Mid |
| 265 |
Stanley Morison |
566 |
18 |
Start |
Mid |
| 266 |
John & Paul & Ringo & George |
563 |
18 |
Stub |
Low |
| 267 |
Henry Wolf |
560 |
18 |
Start |
Unknown |
| 268 |
Ecological design |
560 |
18 |
Start |
Low |
| 269 |
MyPaint |
560 |
18 |
Start |
Low |
| 270 |
Paola Antonelli |
554 |
18 |
C |
High |
| 271 |
2020 Summer Olympic pictograms |
553 |
18 |
C |
Low |
| 272 |
Adobe ImageReady |
550 |
18 |
Stub |
Low |
| 273 |
Steven Heller (design writer) |
549 |
18 |
Start |
Low |
| 274 |
Jonathan Barnbrook |
545 |
18 |
Start |
Low |
| 275 |
Emory Douglas |
542 |
18 |
C |
Low |
| 276 |
Dorothy Waugh (artist) |
541 |
18 |
Start |
Mid |
| 277 |
Album covers of Blue Note Records |
540 |
18 |
FA |
Low |
| 278 |
Armin Hofmann |
535 |
17 |
Start |
High |
| 279 |
Edward McKnight Kauffer |
533 |
17 |
Start |
Mid |
| 280 |
Human Rights Logo |
519 |
17 |
Start |
Mid |
| 281 |
Pirouette: Turning Points in Design |
512 |
17 |
B |
Mid |
| 282 |
Separation of content and presentation |
507 |
16 |
Start |
High |
| 283 |
Frederic Goudy |
504 |
16 |
Start |
Mid |
| 284 |
Creative Market |
503 |
16 |
Start |
Low |
| 285 |
Joshua Davis (designer) |
499 |
16 |
Start |
Low |
| 286 |
Bruce Blackburn |
489 |
16 |
Start |
Low |
| 287 |
21 21 Design Sight |
487 |
16 |
Start |
Low |
| 288 |
For position only |
485 |
16 |
Stub |
Low |
| 289 |
Design elements |
485 |
16 |
C |
Low |
| 290 |
Ed Benguiat |
484 |
16 |
C |
Low |
| 291 |
Lance Wyman |
483 |
16 |
Start |
Unknown |
| 292 |
Kyle Cooper |
477 |
15 |
C |
Low |
| 293 |
Gerard Huerta |
474 |
15 |
Stub |
Unknown |
| 294 |
Plakatstil |
472 |
15 |
Start |
Low |
| 295 |
Graphic communication |
472 |
15 |
C |
Mid |
| 296 |
Adobe GoLive |
471 |
15 |
Start |
Low |
| 297 |
Cartographic design |
464 |
15 |
B |
Mid |
| 298 |
Dedication (publishing) |
453 |
15 |
C |
Low |
| 299 |
Karoly Grosz (illustrator) |
448 |
14 |
GA |
Mid |
| 300 |
Push Pin Studios |
447 |
14 |
C |
Unknown |
| 301 |
Paul Bacon (designer) |
447 |
14 |
C |
Low |
| 302 |
Keith Roberts |
445 |
14 |
C |
Low |
| 303 |
Trade card |
441 |
14 |
C |
Mid |
| 304 |
Lumia imaging apps |
440 |
14 |
C |
Low |
| 305 |
Noesis (software) |
435 |
14 |
Start |
Low |
| 306 |
John Kiss (artist) |
435 |
14 |
B |
Unknown |
| 307 |
William Addison Dwiggins |
432 |
14 |
Start |
Unknown |
| 308 |
Irma Boom |
428 |
14 |
Start |
Unknown |
| 309 |
List of AIGA medalists |
428 |
14 |
List |
Unknown |
| 310 |
Alan Fletcher (graphic designer) |
424 |
14 |
Start |
High |
| 311 |
Pix4D |
421 |
14 |
Stub |
Unknown |
| 312 |
ACiD Productions |
417 |
13 |
Start |
Low |
| 313 |
Robert Brownjohn |
405 |
13 |
Start |
Unknown |
| 314 |
NCAA Native American mascot decision |
400 |
13 |
C |
Low |
| 315 |
Goal structuring notation |
394 |
13 |
Stub |
Mid |
| 316 |
Jonathan Hoefler |
390 |
13 |
Start |
Unknown |
| 317 |
Richard Turley (graphic designer) |
385 |
12 |
C |
Low |
| 318 |
Ellen Lupton |
384 |
12 |
Start |
Unknown |
| 319 |
Seashore (software) |
383 |
12 |
Start |
Low |
| 320 |
Lucian Bernhard |
379 |
12 |
Start |
Mid |
| 321 |
Jessica Wallenfels |
376 |
12 |
C |
Low |
| 322 |
Brian Collins (designer) |
375 |
12 |
C |
Low |
| 323 |
Page header |
369 |
12 |
Stub |
Low |
| 324 |
Alex Steinweiss |
368 |
12 |
Start |
Low |
| 325 |
Nik Collection |
365 |
12 |
C |
Low |
| 326 |
Chicago Athenaeum |
363 |
12 |
Start |
Low |
| 327 |
Silicon Graphics Image |
362 |
12 |
Start |
Low |
| 328 |
Camera-ready |
360 |
12 |
Start |
Low |
| 329 |
Haibao |
357 |
11 |
Stub |
Low |
| 330 |
Cey Adams |
357 |
11 |
C |
Low |
| 331 |
Jules Siegel |
355 |
11 |
Stub |
Low |
| 332 |
The Beatles Illustrated Lyrics |
355 |
11 |
Start |
Low |
| 333 |
Peter Mendelsund |
353 |
11 |
Start |
Low |
| 334 |
Zuzana Licko |
349 |
11 |
C |
Low |
| 335 |
Screen space directional occlusion |
349 |
11 |
Stub |
Low |
| 336 |
Rajie Cook |
345 |
11 |
C |
Low |
| 337 |
David Costa (graphic designer) |
345 |
11 |
Start |
Low |
| 338 |
John Gilroy (artist) |
343 |
11 |
Stub |
Low |
| 339 |
23 Envelope |
343 |
11 |
Start |
Low |
| 340 |
Design management |
338 |
11 |
C |
Top |
| 341 |
SK1 (program) |
336 |
11 |
Start |
Mid |
| 342 |
Nebiolo Printech |
336 |
11 |
Start |
Low |
| 343 |
Mike Bostock |
336 |
11 |
Start |
Low |
| 344 |
Giorgia Lupi |
334 |
11 |
Start |
Low |
| 345 |
Python Anghelo |
333 |
11 |
Start |
Low |
| 346 |
R. O. Blechman |
329 |
10 |
Start |
Low |
| 347 |
Emigre (magazine) |
327 |
10 |
Start |
Mid |
| 348 |
EBoy |
327 |
10 |
Stub |
Unknown |
| 349 |
Java 3D |
325 |
10 |
Start |
Low |
| 350 |
Jerry Dior |
325 |
10 |
Start |
Low |
| 351 |
Fergus "Fergadelic" Purcell |
324 |
10 |
C |
Unknown |
| 352 |
Ehrenstein illusion |
322 |
10 |
C |
Low |
| 353 |
99designs |
321 |
10 |
Start |
Low |
| 354 |
Charles Bigelow (type designer) |
318 |
10 |
Start |
Low |
| 355 |
London Design Festival |
318 |
10 |
B |
Low |
| 356 |
Pablo Ferro |
317 |
10 |
C |
Low |
| 357 |
Duospaced font |
315 |
10 |
Start |
Low |
| 358 |
Henry Steiner |
312 |
10 |
C |
Unknown |
| 359 |
Will H. Bradley |
309 |
10 |
Start |
Low |
| 360 |
Bradbury Thompson |
307 |
10 |
Start |
Low |
| 361 |
Lella Vignelli |
305 |
10 |
B |
Mid |
| 362 |
PicMonkey |
303 |
10 |
Stub |
Low |
| 363 |
Peter Corriston |
297 |
9 |
Stub |
Low |
| 364 |
Erik Nitsche |
288 |
9 |
Stub |
Unknown |
| 365 |
Kirby Jenner |
288 |
9 |
Start |
Low |
| 366 |
Muriel Cooper |
283 |
9 |
C |
Unknown |
| 367 |
Margo Chase |
282 |
9 |
C |
Low |
| 368 |
Barbara Stauffacher Solomon |
281 |
9 |
Start |
Unknown |
| 369 |
Page footer |
278 |
9 |
Start |
Low |
| 370 |
Yusaku Kamekura |
276 |
9 |
C |
Low |
| 371 |
Retail design |
274 |
9 |
C |
Low |
| 372 |
Tom Geismar |
273 |
9 |
Stub |
Unknown |
| 373 |
Inkie |
273 |
9 |
Start |
Mid |
| 374 |
Desk pad |
271 |
9 |
Start |
Low |
| 375 |
Out of Home Advertising Association of America |
271 |
9 |
Stub |
Low |
| 376 |
Louise Fili |
269 |
8 |
C |
Low |
| 377 |
Ruth Ansel |
268 |
8 |
Start |
Low |
| 378 |
Design studies |
268 |
8 |
C |
Mid |
| 379 |
Irina Blok |
266 |
8 |
Start |
Low |
| 380 |
Impossible Dream (advertisement) |
264 |
8 |
Start |
Low |
| 381 |
Dard Hunter |
263 |
8 |
Start |
Low |
| 382 |
Poster House |
262 |
8 |
B |
Low |
| 383 |
Dieline |
261 |
8 |
Stub |
Low |
| 384 |
Line (graphics) |
260 |
8 |
Start |
Low |
| 385 |
You mean a woman can open it? |
259 |
8 |
Start |
Low |
| 386 |
Henryk Tomaszewski (poster artist) |
258 |
8 |
Start |
Low |
| 387 |
Alvin Lustig |
258 |
8 |
Start |
Mid |
| 388 |
TVBoy |
258 |
8 |
Start |
Low |
| 389 |
ROSTA windows |
257 |
8 |
Stub |
Low |
| 390 |
Mick Haggerty |
255 |
8 |
Stub |
Unknown |
| 391 |
National Design Awards |
254 |
8 |
List |
Mid |
| 392 |
Art Chantry |
253 |
8 |
Start |
Mid |
| 393 |
Emigre Fonts |
250 |
8 |
Start |
Low |
| 394 |
Georg Olden (graphic designer) |
249 |
8 |
Stub |
Low |
| 395 |
Hans Hilfiker |
248 |
8 |
C |
Mid |
| 396 |
Print design |
246 |
8 |
Stub |
Mid |
| 397 |
User experience evaluation |
245 |
8 |
Start |
Low |
| 398 |
Angela Guzman |
245 |
8 |
Start |
Unknown |
| 399 |
Bruce Rogers (typographer) |
243 |
8 |
Start |
Mid |
| 400 |
Visual variable |
242 |
8 |
C |
Mid |
| 401 |
Aviary (image editor) |
240 |
8 |
C |
Low |
| 402 |
Joseph Binder (graphic designer) |
240 |
8 |
C |
Low |
| 403 |
Invisible Creature |
239 |
7 |
Stub |
Low |
| 404 |
Unimark International |
239 |
7 |
Start |
Low |
| 405 |
Tony Palladino (artist) |
239 |
7 |
Start |
Low |
| 406 |
Leif Podhajsky |
237 |
7 |
Start |
Mid |
| 407 |
Solidarity logo |
236 |
7 |
Stub |
Low |
| 408 |
MtPaint |
235 |
7 |
C |
Low |
| 409 |
Dan Friedman (graphic designer) |
233 |
7 |
Start |
Mid |
| 410 |
Lettering guide |
233 |
7 |
Start |
Low |
| 411 |
Mark Farrow |
232 |
7 |
Start |
Mid |
| 412 |
Steve Jenkins (author) |
232 |
7 |
C |
Low |
| 413 |
Earnest Elmo Calkins |
228 |
7 |
C |
Mid |
| 414 |
Michael Cho (illustrator) |
226 |
7 |
Stub |
Low |
| 415 |
Gail Anderson (graphic designer) |
226 |
7 |
C |
Low |
| 416 |
Karlsruhe University of Arts and Design |
225 |
7 |
C |
Low |
| 417 |
Job Definition Format |
221 |
7 |
Start |
Low |
| 418 |
News design |
221 |
7 |
Start |
High |
| 419 |
Piet Zwart |
221 |
7 |
C |
Low |
| 420 |
William Rose (illustrator) |
220 |
7 |
GA |
Low |
| 421 |
Unigrids |
219 |
7 |
C |
Mid |
| 422 |
Alliance Graphique Internationale |
217 |
7 |
List |
Low |
| 423 |
Willem Sandberg |
217 |
7 |
Start |
Unknown |
| 424 |
Ryszard Grzyb |
217 |
7 |
Stub |
Low |
| 425 |
Marc Balet |
217 |
7 |
Start |
Low |
| 426 |
The Ant Farm |
215 |
7 |
Stub |
Low |
| 427 |
Michael Rock (graphic designer) |
213 |
7 |
Start |
Low |
| 428 |
Xanti Schawinsky |
213 |
7 |
Start |
Unknown |
| 429 |
Cipe Pineles |
212 |
7 |
Start |
High |
| 430 |
William Golden (graphic designer) |
211 |
7 |
C |
Low |
| 431 |
KSS Design Group |
211 |
7 |
Start |
Low |
| 432 |
Poster Museum (Warsaw) |
211 |
7 |
Start |
Unknown |
| 433 |
International Council of Design |
210 |
7 |
Start |
Mid |
| 434 |
Bob Cato |
208 |
6 |
Start |
Low |
| 435 |
Lester Beall |
206 |
6 |
Start |
Mid |
| 436 |
Paul Brooks Davis |
206 |
6 |
Start |
Mid |
| 437 |
Stanisław Zagórski |
205 |
6 |
C |
Unknown |
| 438 |
Ben Fry |
203 |
6 |
Start |
Mid |
| 439 |
Hightower Text |
203 |
6 |
Start |
Low |
| 440 |
Paul Kuhr |
202 |
6 |
Start |
Low |
| 441 |
List of graphic designers |
201 |
6 |
List |
Low |
| 442 |
Samuel Burgess-Johnson |
200 |
6 |
Start |
Low |
| 443 |
Gary Grimshaw |
199 |
6 |
B |
Low |
| 444 |
European Design Awards |
199 |
6 |
Stub |
Low |
| 445 |
Lida Lopes Cardozo Kindersley |
199 |
6 |
C |
Unknown |
| 446 |
Bob Gill (artist) |
198 |
6 |
Start |
Low |
| 447 |
Political T-shirt |
198 |
6 |
Stub |
Low |
| 448 |
Amos Paul Kennedy Jr. |
198 |
6 |
C |
Unknown |
| 449 |
Matrix (typeface) |
198 |
6 |
Start |
Unknown |
| 450 |
Representative image |
196 |
6 |
Stub |
Low |
| 451 |
Oswald Bruce Cooper |
195 |
6 |
B |
Low |
| 452 |
Jobbing press |
195 |
6 |
Start |
Mid |
| 453 |
Away3D |
194 |
6 |
B |
Low |
| 454 |
Astrid Stavro |
193 |
6 |
Start |
Low |
| 455 |
Zoltron |
193 |
6 |
C |
Unknown |
| 456 |
Annie Atkins |
191 |
6 |
Start |
Low |
| 457 |
Visual brand language |
190 |
6 |
Start |
Low |
| 458 |
Michael Wolff (graphic designer) |
190 |
6 |
Start |
Low |
| 459 |
Icon design |
189 |
6 |
Start |
Unknown |
| 460 |
News Bunny |
187 |
6 |
Start |
Low |
| 461 |
Ernie Cefalu |
187 |
6 |
Start |
Low |
| 462 |
M & Co. (design firm) |
187 |
6 |
Start |
Mid |
| 463 |
International Design Awards |
187 |
6 |
Stub |
Low |
| 464 |
Bob Pepper (illustrator) |
186 |
6 |
Start |
Low |
| 465 |
Tobidashi Bōya |
186 |
6 |
C |
Low |
| 466 |
Jan van Krimpen |
185 |
6 |
Start |
Mid |
| 467 |
Production artist |
184 |
6 |
Stub |
Low |
| 468 |
Sun Raster |
182 |
6 |
Start |
Low |
| 469 |
Dick Negus |
182 |
6 |
Start |
Low |
| 470 |
Jeffrey Heer |
181 |
6 |
Start |
Unknown |
| 471 |
First Things First 2000 manifesto |
180 |
6 |
Start |
Low |
| 472 |
Gudrun Zapf von Hesse |
180 |
6 |
B |
Low |
| 473 |
Jessica Helfand |
180 |
6 |
Start |
Unknown |
| 474 |
Nick de Ville |
180 |
6 |
Start |
Unknown |
| 475 |
Syd Mead's Terraforming |
180 |
6 |
Stub |
Low |
| 476 |
Election poster |
180 |
6 |
Start |
Unknown |
| 477 |
Screen reading |
179 |
5 |
Start |
Unknown |
| 478 |
St Bride Library |
173 |
5 |
Start |
Unknown |
| 479 |
Kōhei Sugiura |
173 |
5 |
C |
Low |
| 480 |
Fumism |
172 |
5 |
B |
Mid |
| 481 |
Chorochromatic map |
171 |
5 |
B |
Low |
| 482 |
Golan Levin |
170 |
5 |
C |
Low |
| 483 |
German Design Award |
169 |
5 |
Start |
Low |
| 484 |
Emily Oberman |
169 |
5 |
C |
Low |
| 485 |
Karl Bickel |
169 |
5 |
C |
Low |
| 486 |
John Casado |
168 |
5 |
Start |
Mid |
| 487 |
Derek Birdsall |
167 |
5 |
Start |
Low |
| 488 |
Roger Black (graphic designer) |
166 |
5 |
Start |
Low |
| 489 |
Ladislav Sutnar |
165 |
5 |
Stub |
Low |
| 490 |
Brett Wickens |
163 |
5 |
Start |
Low |
| 491 |
Bob Noorda |
161 |
5 |
C |
Mid |
| 492 |
Ammunition Design Group |
159 |
5 |
Start |
Low |
| 493 |
Tom Eckersley |
159 |
5 |
C |
Unknown |
| 494 |
Joachim Roncin |
159 |
5 |
Stub |
Low |
| 495 |
Comprehensive layout |
158 |
5 |
Start |
Mid |
| 496 |
Jugate |
158 |
5 |
C |
Low |
| 497 |
Patrick Clair |
158 |
5 |
C |
Low |
| 498 |
Lines per inch |
157 |
5 |
Start |
Low |
| 499 |
Gui Bonsiepe |
156 |
5 |
Start |
Low |
| 500 |
Sandy Dvore |
155 |
5 |
Start |
Low |
| 501 |
Jean-Pascal Fournier |
155 |
5 |
Stub |
Unknown |
| 502 |
Modern College of Design |
154 |
5 |
Stub |
Low |
| 503 |
Michael Patrick Cronan |
154 |
5 |
C |
Low |
| 504 |
Deborah Sussman |
154 |
5 |
C |
Low |
| 505 |
Yorgo Tloupas |
154 |
5 |
B |
Low |
| 506 |
Design Matters |
154 |
5 |
Start |
Low |
| 507 |
Broadcast designer |
153 |
5 |
Stub |
Mid |
| 508 |
Philip B. Meggs |
153 |
5 |
Start |
Mid |
| 509 |
Richard Hollis |
153 |
5 |
Stub |
Unknown |
| 510 |
Kiyoshi Awazu |
153 |
5 |
C |
Low |
| 511 |
Hiro Kamigaki |
153 |
5 |
C |
Low |
| 512 |
Design Miami |
152 |
5 |
Start |
Low |
| 513 |
List of Art on the Underground Tube map covers |
152 |
5 |
List |
Unknown |
| 514 |
Mehemed Fehmy Agha |
151 |
5 |
Start |
High |
| 515 |
Gilbert (typeface) |
151 |
5 |
Start |
Low |
| 516 |
Image fidelity |
151 |
5 |
Start |
Low |
| 517 |
Boxology |
150 |
5 |
Start |
Low |
| 518 |
Quentin Fiore |
150 |
5 |
C |
Low |
| 519 |
Best Art Vinyl |
150 |
5 |
List |
Low |
| 520 |
3D Slash |
150 |
5 |
Start |
Low |
| 521 |
Simon Halfon |
149 |
4 |
Stub |
Low |
| 522 |
Rick Griffith |
149 |
4 |
Start |
Low |
| 523 |
National Library Symbol |
148 |
4 |
Start |
Unknown |
| 524 |
George Macy |
147 |
4 |
Start |
Low |
| 525 |
Edward Fella |
146 |
4 |
Start |
Mid |
| 526 |
Manhattan Design |
146 |
4 |
Start |
Low |
| 527 |
Deena Mohamed |
146 |
4 |
C |
Low |
| 528 |
J. Abbott Miller |
145 |
4 |
Start |
Low |
| 529 |
Kolding School of Design |
145 |
4 |
Start |
Unknown |
| 530 |
Michael Schwab (designer) |
145 |
4 |
Stub |
Unknown |
| 531 |
Content designer |
144 |
4 |
Start |
Mid |
| 532 |
Katherine McCoy |
144 |
4 |
B |
High |
| 533 |
Daniel Berkeley Updike |
143 |
4 |
Start |
Low |
| 534 |
Paul Sahre |
143 |
4 |
Start |
Low |
| 535 |
Hussain Almossawi |
143 |
4 |
C |
Low |
| 536 |
Jay Alders |
142 |
4 |
C |
Low |
| 537 |
Rufus Segar |
142 |
4 |
C |
Low |
| 538 |
Curve (tonality) |
141 |
4 |
Stub |
Mid |
| 539 |
Elaine Lustig Cohen |
141 |
4 |
C |
Mid |
| 540 |
MetaDesign |
140 |
4 |
Start |
Low |
| 541 |
Tony Lane |
140 |
4 |
Stub |
Low |
| 542 |
Jim Silke |
139 |
4 |
Stub |
Low |
| 543 |
IC4DESIGN |
139 |
4 |
C |
Low |
| 544 |
Saffron Brand Consultants |
138 |
4 |
Start |
Mid |
| 545 |
Antonio Peticov |
138 |
4 |
C |
Low |
| 546 |
Lou Dorfsman |
136 |
4 |
Start |
Low |
| 547 |
Kii Arens |
136 |
4 |
C |
Unknown |
| 548 |
MinaLima |
135 |
4 |
Start |
Unknown |
| 549 |
Timothy Cole |
134 |
4 |
C |
Low |
| 550 |
Martin Kvamme |
133 |
4 |
Start |
Unknown |
| 551 |
Jacqueline Casey |
132 |
4 |
C |
Unknown |
| 552 |
Rolf Weijburg |
132 |
4 |
Start |
Unknown |
| 553 |
William S. Harvey |
132 |
4 |
Start |
Low |
| 554 |
Perniclas Bedow |
132 |
4 |
Start |
Unknown |
| 555 |
Nabil Abou-Harb |
130 |
4 |
C |
Low |
| 556 |
Rudolph de Harak |
130 |
4 |
Start |
Low |
| 557 |
Lucille Tenazas |
130 |
4 |
C |
Low |
| 558 |
Vignelli Associates |
130 |
4 |
C |
High |
| 559 |
Design Professionals of Canada |
129 |
4 |
Start |
Low |
| 560 |
Cyrk (art) |
129 |
4 |
Start |
Unknown |
| 561 |
Hisui Sugiura |
129 |
4 |
Start |
Mid |
| 562 |
Edley ODowd |
128 |
4 |
Start |
Low |
| 563 |
Hans Schleger |
128 |
4 |
C |
Mid |
| 564 |
Frank Parkinson Newbould |
127 |
4 |
Stub |
Low |
| 565 |
Papervision3D |
127 |
4 |
Start |
Unknown |
| 566 |
Max Huber (graphic designer) |
126 |
4 |
Start |
Mid |
| 567 |
Roy Kuhlman |
126 |
4 |
Start |
Low |
| 568 |
Student design competition |
125 |
4 |
Start |
Low |
| 569 |
Carnegie Mellon School of Design |
125 |
4 |
Start |
Mid |
| 570 |
Ray-traced ambient occlusion |
125 |
4 |
Stub |
Low |
| 571 |
P. Scott Makela |
123 |
4 |
C |
Low |
| 572 |
Mikhail Sokolov |
123 |
4 |
Start |
Low |
| 573 |
Artkraft Strauss |
121 |
4 |
Start |
Low |
| 574 |
Abraham Nathanson |
121 |
4 |
Start |
Low |
| 575 |
Ismar David |
121 |
4 |
Stub |
Low |
| 576 |
Louis Oppenheim |
120 |
4 |
Start |
Low |
| 577 |
Rick Poynor |
120 |
4 |
Stub |
Low |
| 578 |
Art Sims |
120 |
4 |
Start |
Unknown |
| 579 |
Noémi Raymond |
120 |
4 |
C |
Low |
| 580 |
Eulindra Lim |
120 |
4 |
Start |
Low |
| 581 |
Placemat (graphic design) |
120 |
4 |
Stub |
Low |
| 582 |
Clement Mok |
119 |
3 |
Stub |
Low |
| 583 |
Paul Schuitema |
118 |
3 |
C |
Low |
| 584 |
Khoi Vinh |
118 |
3 |
Stub |
Low |
| 585 |
Colin Forbes (graphic designer) |
118 |
3 |
Stub |
Mid |
| 586 |
Neue Grafik |
118 |
3 |
Start |
Low |
| 587 |
Rudolph Ruzicka |
117 |
3 |
Start |
Low |
| 588 |
Thomas Maitland Cleland |
117 |
3 |
Start |
Low |
| 589 |
Carin Goldberg |
117 |
3 |
Start |
Low |
| 590 |
Richard Danne |
116 |
3 |
Start |
Unknown |
| 591 |
Base Design |
113 |
3 |
Stub |
Unknown |
| 592 |
Steven Brower |
113 |
3 |
Start |
Low |
| 593 |
Kozyndan |
112 |
3 |
Start |
Low |
| 594 |
Philippe Apeloig |
112 |
3 |
Start |
Mid |
| 595 |
Chemical X (artist) |
112 |
3 |
Start |
Unknown |
| 596 |
See Red Women's Workshop |
111 |
3 |
Start |
Unknown |
| 597 |
Jean Widmer |
111 |
3 |
Stub |
Unknown |
| 598 |
Samir Machado de Machado |
111 |
3 |
Stub |
Low |
| 599 |
Ootje Oxenaar |
110 |
3 |
Stub |
Unknown |
| 600 |
Thomas Spitzer |
110 |
3 |
Start |
Low |
| 601 |
Piotr Młodożeniec |
110 |
3 |
Stub |
Unknown |
| 602 |
Boutros Advertisers Naskh |
110 |
3 |
Start |
Unknown |
| 603 |
Ondine (typeface) |
110 |
3 |
Stub |
Unknown |
| 604 |
Fré Cohen |
109 |
3 |
C |
Low |
| 605 |
Ades (artist) |
109 |
3 |
Start |
Unknown |
| 606 |
Marian Bantjes |
108 |
3 |
Start |
Low |
| 607 |
Bea Feitler |
108 |
3 |
Start |
Low |
| 608 |
Matrix Feminist Design Co-operative |
108 |
3 |
C |
Low |
| 609 |
Web content development |
107 |
3 |
Start |
Mid |
| 610 |
Pulsonix |
107 |
3 |
Start |
Unknown |
| 611 |
Mirko Hanák |
107 |
3 |
Stub |
Low |
| 612 |
Rack card |
106 |
3 |
Stub |
Low |
| 613 |
Yiying Lu |
106 |
3 |
C |
Unknown |
| 614 |
Soren Iverson |
105 |
3 |
Start |
Low |
| 615 |
Art Directors Club Hall of Fame |
104 |
3 |
List |
Low |
| 616 |
Dori Tunstall |
104 |
3 |
C |
High |
| 617 |
Tod Lippy |
104 |
3 |
C |
Low |
| 618 |
Eli Gross |
103 |
3 |
C |
Unknown |
| 619 |
Web template |
102 |
3 |
Redirect |
NA |
| 620 |
John Gall (designer) |
102 |
3 |
Start |
Low |
| 621 |
Jane Davis Doggett |
101 |
3 |
Start |
Unknown |
| 622 |
Rod Dyer |
101 |
3 |
Stub |
Low |
| 623 |
Deborah Adler |
101 |
3 |
Start |
Low |
| 624 |
JPEGmini |
100 |
3 |
Start |
Low |
| 625 |
Rudy VanderLans |
99 |
3 |
Stub |
Unknown |
| 626 |
Frederic G. Melcher |
99 |
3 |
Start |
Low |
| 627 |
Inge Druckrey |
99 |
3 |
Start |
Low |
| 628 |
Object co-segmentation |
99 |
3 |
C |
Low |
| 629 |
E. C. Stoner |
98 |
3 |
GA |
Low |
| 630 |
Corporate design |
97 |
3 |
Redirect |
Mid |
| 631 |
Chepman and Myllar Press |
97 |
3 |
C |
Low |
| 632 |
Paul Shaw (design historian) |
97 |
3 |
Stub |
Low |
| 633 |
The Gehenna Press |
97 |
3 |
C |
Low |
| 634 |
Shin-Bijutsukai |
97 |
3 |
Start |
Low |
| 635 |
Digital typography |
96 |
3 |
Redirect |
NA |
| 636 |
Paul Barnes (designer) |
96 |
3 |
Start |
Low |
| 637 |
Fatpaint |
96 |
3 |
Start |
Low |
| 638 |
Hans Rudi Erdt |
96 |
3 |
Start |
Unknown |
| 639 |
Rudolf Modley |
96 |
3 |
C |
Unknown |
| 640 |
William Drenttel |
95 |
3 |
Start |
Low |
| 641 |
Dennis Kois |
95 |
3 |
Start |
Low |
| 642 |
Reynold Ruffins |
95 |
3 |
C |
Low |
| 643 |
Mag+ |
95 |
3 |
C |
Low |
| 644 |
Kevin Reagan |
95 |
3 |
Stub |
Low |
| 645 |
Ernst Bettler |
94 |
3 |
Start |
Low |
| 646 |
Henri Friedlaender |
94 |
3 |
C |
Low |
| 647 |
RAWGraphs |
93 |
3 |
Start |
Low |
| 648 |
Patrice Murciano |
93 |
3 |
Start |
Low |
| 649 |
Association of Registered Graphic Designers |
92 |
3 |
Start |
Low |
| 650 |
Will Burtin |
92 |
3 |
B |
Mid |
| 651 |
James Victore |
92 |
3 |
Stub |
Unknown |
| 652 |
Kit Hinrichs |
92 |
3 |
C |
Low |
| 653 |
Neal Layton |
92 |
3 |
Stub |
Low |
| 654 |
ICE Advertisements |
91 |
3 |
Start |
Low |
| 655 |
Creative brief |
91 |
3 |
Start |
Low |
| 656 |
Officina Bodoni |
90 |
3 |
Start |
Low |
| 657 |
Andrew Blauvelt |
90 |
3 |
Start |
Low |
| 658 |
Armando Testa |
90 |
3 |
Start |
Low |
| 659 |
Paul Soulellis |
90 |
3 |
C |
Low |
| 660 |
Elizabeth Resnick |
90 |
3 |
C |
Unknown |
| 661 |
Independent Publishing Resource Center |
89 |
2 |
Start |
Low |
| 662 |
Tony Chambers |
89 |
2 |
C |
Mid |
| 663 |
DTP artist |
88 |
2 |
Stub |
Low |
| 664 |
Porter Garnett |
88 |
2 |
Start |
Low |
| 665 |
Stefanie Posavec |
88 |
2 |
Start |
Unknown |
| 666 |
Lou Nolan (artist) |
88 |
2 |
Start |
Unknown |
| 667 |
Giovanni Pintori |
87 |
2 |
Start |
Mid |
| 668 |
Norman Ives |
87 |
2 |
C |
Low |
| 669 |
Foka Wolf |
87 |
2 |
B |
Low |
| 670 |
E-Types |
86 |
2 |
Start |
Low |
| 671 |
Jurriaan Schrofer |
86 |
2 |
Stub |
Unknown |
| 672 |
Bram de Does |
85 |
2 |
Start |
Mid |
| 673 |
Lo-Type |
84 |
2 |
Stub |
Low |
| 674 |
Doremus & Co. |
84 |
2 |
Stub |
Low |
| 675 |
Marina Willer |
84 |
2 |
Start |
Low |
| 676 |
Jer Thorp |
83 |
2 |
Start |
Unknown |
| 677 |
Adrian Shaughnessy |
83 |
2 |
C |
Low |
| 678 |
Stefan G. Bucher |
82 |
2 |
C |
Low |
| 679 |
Colorway |
82 |
2 |
Redirect |
NA |
| 680 |
Italpinas |
82 |
2 |
Stub |
Low |
| 681 |
Michael Gericke |
82 |
2 |
C |
Low |
| 682 |
Robert Blakeley |
82 |
2 |
C |
Low |
| 683 |
Swiss Design Awards |
82 |
2 |
Start |
Low |
| 684 |
David Plunkert |
81 |
2 |
Start |
Unknown |
| 685 |
Trevor Johnson (designer) |
81 |
2 |
Stub |
Unknown |
| 686 |
Lisa Strausfeld |
81 |
2 |
C |
Low |
| 687 |
Dennis Ichiyama |
80 |
2 |
Start |
Unknown |
| 688 |
Mackey Saturday |
80 |
2 |
Start |
Mid |
| 689 |
Sustainable furniture design |
78 |
2 |
Stub |
Low |
| 690 |
Pegasus (artist) |
78 |
2 |
Start |
Low |
| 691 |
Jost Hochuli |
78 |
2 |
Start |
Low |
| 692 |
JESS3 |
77 |
2 |
Start |
Low |
| 693 |
Epica Awards |
77 |
2 |
Start |
Low |
| 694 |
Fabrizio Schiavi |
77 |
2 |
Start |
Low |
| 695 |
Alexis Georgacopoulos |
77 |
2 |
Start |
Low |
| 696 |
Richard Yeend |
77 |
2 |
Unknown |
Unknown |
| 697 |
Eric Thake |
76 |
2 |
C |
Low |
| 698 |
Paul Giambarba |
75 |
2 |
Start |
Low |
| 699 |
Angus Hyland |
75 |
2 |
Start |
Low |
| 700 |
Safiya al Bahlani |
75 |
2 |
Start |
Low |
| 701 |
Gaston Redon |
74 |
2 |
Start |
Low |
| 702 |
Antigirl |
74 |
2 |
C |
Low |
| 703 |
Leon Friend |
74 |
2 |
Start |
Low |
| 704 |
The History of Graphic Design |
74 |
2 |
Start |
Low |
| 705 |
Franzisca Baruch |
74 |
2 |
GA |
Low |
| 706 |
Michael Vanderbyl |
73 |
2 |
Stub |
Low |
| 707 |
MatterHackers |
73 |
2 |
Start |
Low |
| 708 |
Germano Facetti |
72 |
2 |
Stub |
Low |
| 709 |
8vo (design) |
72 |
2 |
Stub |
Low |
| 710 |
Burkey Belser |
72 |
2 |
Start |
Low |
| 711 |
Joseph Blumenthal (printer) |
72 |
2 |
C |
Mid |
| 712 |
Rudi Bass |
71 |
2 |
Start |
Unknown |
| 713 |
Patrick Thomas (graphic artist) |
71 |
2 |
Start |
Low |
| 714 |
Simon Strong |
71 |
2 |
Start |
Low |
| 715 |
Gertrude Huston |
71 |
2 |
C |
Low |
| 716 |
Autonomous Design Group |
71 |
2 |
Stub |
Unknown |
| 717 |
Dorothy E. Hayes |
71 |
2 |
C |
Mid |
| 718 |
Michael Hertz Associates |
70 |
2 |
Start |
Low |
| 719 |
May Massee |
70 |
2 |
C |
Unknown |
| 720 |
Steve Duenes |
70 |
2 |
Start |
Low |
| 721 |
Simon C. Page |
69 |
2 |
Start |
Low |
| 722 |
Willy Fleckhaus |
69 |
2 |
Stub |
Unknown |
| 723 |
Tom Carnase |
69 |
2 |
C |
Low |
| 724 |
Malcolm Grear |
68 |
2 |
Start |
Low |
| 725 |
Semi-Permanent |
68 |
2 |
Start |
Low |
| 726 |
ANY (magazine) |
67 |
2 |
Stub |
Low |
| 727 |
Robert Rabinowitz |
67 |
2 |
Stub |
Low |
| 728 |
Sandra Eisert |
67 |
2 |
B |
Mid |
| 729 |
Amanda Marie |
67 |
2 |
C |
Unknown |
| 730 |
Hiwa Pashaei |
67 |
2 |
C |
Low |
| 731 |
E-Lab |
67 |
2 |
B |
Unknown |
| 732 |
FXT1 |
66 |
2 |
Start |
Low |
| 733 |
Lawrence C. Wroth |
66 |
2 |
C |
Low |
| 734 |
Vicente Rojo Almazán |
66 |
2 |
Stub |
Unknown |
| 735 |
"58% Don't Want Pershing" t-shirt |
66 |
2 |
Redirect |
NA |
| 736 |
Jaap Drupsteen |
65 |
2 |
Stub |
Unknown |
| 737 |
Bruno Monguzzi |
65 |
2 |
Start |
Unknown |
| 738 |
Lee Moyer |
65 |
2 |
C |
Low |
| 739 |
Jason Munn |
65 |
2 |
C |
Low |
| 740 |
Matt Willey |
65 |
2 |
Stub |
Low |
| 741 |
Matt Gondek |
65 |
2 |
Start |
Low |
| 742 |
Dawn Baillie |
65 |
2 |
Start |
Low |
| 743 |
Chrysler Design Award |
64 |
2 |
List |
Low |
| 744 |
Stephen H. Horgan |
64 |
2 |
Stub |
Low |
| 745 |
Olga Kaljakin |
64 |
2 |
Stub |
Low |
| 746 |
Rick Valicenti |
64 |
2 |
C |
High |
| 747 |
Melbert B. Cary Jr. |
63 |
2 |
Start |
Low |
| 748 |
David Berman (graphic designer) |
63 |
2 |
Start |
Low |
| 749 |
Carbone Smolan Agency |
63 |
2 |
C |
Low |
| 750 |
A Smile in the Mind |
63 |
2 |
Start |
Unknown |
| 751 |
Hansje van Halem |
63 |
2 |
Start |
Low |
| 752 |
Marc Tedeschi |
63 |
2 |
Start |
Unknown |
| 753 |
George Georgiou (designer) |
63 |
2 |
Start |
Unknown |
| 754 |
John J. Graham |
62 |
2 |
Start |
Unknown |
| 755 |
Kali Nikitas |
62 |
2 |
Start |
Low |
| 756 |
O'Plérou |
62 |
2 |
Stub |
Low |
| 757 |
Graphics coordinator |
61 |
2 |
Start |
Low |
| 758 |
Evert Bloemsma |
61 |
2 |
Start |
Unknown |
| 759 |
Span (design firm) |
61 |
2 |
Start |
High |
| 760 |
Makoto Saitō (designer) |
60 |
2 |
Stub |
Low |
| 761 |
Thomas Letts |
60 |
2 |
Start |
Low |
| 762 |
100 Beste Plakate |
60 |
2 |
Start |
Low |
| 763 |
The Blockhouse of Boston |
60 |
2 |
C |
Low |
| 764 |
Noreen Morioka |
60 |
2 |
Start |
Unknown |
| 765 |
Bitmap textures |
59 |
1 |
Stub |
Low |
| 766 |
Henry Watson Kent |
58 |
1 |
C |
Low |
| 767 |
Decorative Designers |
58 |
1 |
Start |
Low |
| 768 |
Tomoko Miho |
57 |
1 |
Start |
Low |
| 769 |
Gordon Andrews (industrial designer) |
57 |
1 |
C |
Mid |
| 770 |
Artwork (graphic arts) |
56 |
1 |
Stub |
Mid |
| 771 |
George Tscherny |
56 |
1 |
Start |
Mid |
| 772 |
Louise Sandhaus |
56 |
1 |
Start |
Mid |
| 773 |
Faride Mereb |
56 |
1 |
Start |
Unknown |
| 774 |
Gene Greif |
56 |
1 |
Stub |
Low |
| 775 |
Emmett McBain |
56 |
1 |
Start |
Unknown |
| 776 |
Stempel Schneidler |
56 |
1 |
Start |
Unknown |
| 777 |
Guo Chunning |
55 |
1 |
Stub |
Unknown |
| 778 |
Jerome Snyder |
55 |
1 |
Start |
Low |
| 779 |
Woody Pirtle |
55 |
1 |
Start |
Mid |
| 780 |
List of Adobe Flash software |
55 |
1 |
List |
Low |
| 781 |
Catherine Zask |
55 |
1 |
C |
Low |
| 782 |
Mike Warren (designer) |
55 |
1 |
C |
Unknown |
| 783 |
Julia Hasting |
55 |
1 |
C |
Unknown |
| 784 |
Sons of Chaos |
55 |
1 |
C |
Low |
| 785 |
Television presentation |
54 |
1 |
Start |
Low |
| 786 |
Bayer Cross Leverkusen |
54 |
1 |
Redirect |
Low |
| 787 |
Harrie Geelen |
54 |
1 |
Stub |
Unknown |
| 788 |
Herbert Temple Jr. |
54 |
1 |
C |
Low |
| 789 |
Dorothy Shepard |
54 |
1 |
Start |
Unknown |
| 790 |
Linked by Air |
54 |
1 |
C |
High |
| 791 |
Logoworks |
53 |
1 |
Start |
Low |
| 792 |
Jennifer Morla |
53 |
1 |
C |
Low |
| 793 |
Robert E. Pearlman |
53 |
1 |
C |
Low |
| 794 |
Tony McDermott |
53 |
1 |
Start |
Low |
| 795 |
Dominique Falla |
53 |
1 |
Start |
Low |
| 796 |
Gamma Epsilon Tau |
52 |
1 |
Start |
Unknown |
| 797 |
Paul Dumas |
52 |
1 |
Start |
Low |
| 798 |
Arnold Armitage |
51 |
1 |
Stub |
Low |
| 799 |
Will Ransom |
51 |
1 |
Start |
Low |
| 800 |
Michael Hendrix |
51 |
1 |
C |
Low |
| 801 |
Brett Yasko |
51 |
1 |
C |
Low |
| 802 |
Clive Piercy |
51 |
1 |
C |
Low |
| 803 |
The Longing for Less |
51 |
1 |
Stub |
Low |
| 804 |
AutoCollage 2008 |
50 |
1 |
Stub |
Low |
| 805 |
Burt Goldblatt |
50 |
1 |
Start |
Low |
| 806 |
Axel Bertram |
50 |
1 |
C |
Unknown |
| 807 |
Marco Oggian |
50 |
1 |
Start |
Low |
| 808 |
Jan Młodożeniec |
49 |
1 |
Stub |
Unknown |
| 809 |
Outline of advertising |
49 |
1 |
List |
High |
| 810 |
Ann Willoughby |
49 |
1 |
C |
Low |
| 811 |
Alioum Moussa |
49 |
1 |
Start |
Low |
| 812 |
Carl Fischer (photographer) |
49 |
1 |
C |
Low |
| 813 |
Guðmundur Oddur Magnússon |
48 |
1 |
Stub |
Unknown |
| 814 |
Clarence P. Hornung |
48 |
1 |
Start |
Low |
| 815 |
Meredith Davis |
48 |
1 |
Start |
Low |
| 816 |
Nicolas Henchoz |
48 |
1 |
Start |
Unknown |
| 817 |
Italo Lupi |
48 |
1 |
Start |
Low |
| 818 |
David Hillman (designer) |
48 |
1 |
C |
Low |
| 819 |
Max Kolomatsky |
48 |
1 |
Start |
Low |
| 820 |
Józef Mroszczak |
47 |
1 |
Start |
Unknown |
| 821 |
Alan Peckolick |
47 |
1 |
Start |
Unknown |
| 822 |
Frank Rocholl |
47 |
1 |
C |
Low |
| 823 |
John G. Agar (lawyer) |
47 |
1 |
Start |
Low |
| 824 |
It is. A Magazine for Abstract Art |
47 |
1 |
B |
Low |
| 825 |
The Electronic Font Foundry |
46 |
1 |
Stub |
Low |
| 826 |
Gene Federico |
46 |
1 |
Start |
Low |
| 827 |
Rob Carter |
45 |
1 |
Start |
Low |
| 828 |
Number Seventeen (design) |
45 |
1 |
Stub |
Unknown |
| 829 |
Homer Lee |
45 |
1 |
Stub |
Low |
| 830 |
Alvin Eisenman |
45 |
1 |
Stub |
Low |
| 831 |
WRDSMTH |
45 |
1 |
Start |
Unknown |
| 832 |
LiveQuartz |
45 |
1 |
Start |
Low |
| 833 |
Deva Pardue |
45 |
1 |
Start |
Unknown |
| 834 |
Hans Neuburg |
45 |
1 |
Stub |
Unknown |
| 835 |
Carlo Vivarelli |
45 |
1 |
Stub |
Unknown |
| 836 |
Sue Crolick |
45 |
1 |
B |
Low |
| 837 |
Ougrapo |
44 |
1 |
Stub |
Unknown |
| 838 |
William H. "Dad" Martin |
44 |
1 |
Start |
Low |
| 839 |
Bob Salpeter |
44 |
1 |
Start |
Low |
| 840 |
Walter Herdeg |
44 |
1 |
B |
Mid |
| 841 |
Janet Froelich |
44 |
1 |
Start |
Low |
| 842 |
Jianping He |
44 |
1 |
C |
Unknown |
| 843 |
Norman Wilson (graphic designer) |
44 |
1 |
Start |
Unknown |
| 844 |
Pieter Brattinga |
43 |
1 |
Stub |
Unknown |
| 845 |
Graphex |
43 |
1 |
Redirect |
NA |
| 846 |
Alexander Isley |
43 |
1 |
Start |
Low |
| 847 |
Paul Clark (designer) |
43 |
1 |
C |
Unknown |
| 848 |
Lora Lamm |
43 |
1 |
B |
Low |
| 849 |
Norman T.A. Munder |
42 |
1 |
C |
Mid |
| 850 |
Peter Seitz |
42 |
1 |
Start |
Low |
| 851 |
Gideon Amichay |
42 |
1 |
Start |
Low |
| 852 |
Assil Diab |
42 |
1 |
Start |
Low |
| 853 |
Marthe Rajchman |
42 |
1 |
B |
Unknown |
| 854 |
Fons Hickmann |
41 |
1 |
Start |
Low |
| 855 |
Adam and Sophie Gimbel Design Library |
41 |
1 |
Stub |
Low |
| 856 |
Maggie Baylis |
41 |
1 |
Start |
Unknown |
| 857 |
Jauhien Kulik |
41 |
1 |
Start |
Low |
| 858 |
Elmer Adler |
41 |
1 |
Start |
Low |
| 859 |
Rosmarie Tissi |
41 |
1 |
Stub |
Unknown |
| 860 |
Demian Conrad |
41 |
1 |
C |
Unknown |
| 861 |
Jayme Odgers |
40 |
1 |
Stub |
Low |
| 862 |
Morton Goldsholl Associates |
40 |
1 |
Start |
Low |
| 863 |
Georgianna Stout |
40 |
1 |
Start |
Low |
| 864 |
Rob Roy Kelly |
40 |
1 |
Start |
Low |
| 865 |
Alison Forbes |
40 |
1 |
C |
Low |
| 866 |
Péter Pócs |
40 |
1 |
Start |
Low |
| 867 |
75B |
39 |
1 |
Start |
Low |
| 868 |
Tevfik Fikret Uçar |
39 |
1 |
Start |
Low |
| 869 |
Roland Hobart |
39 |
1 |
C |
Mid |
| 870 |
Michael Manwaring |
39 |
1 |
Start |
Low |
| 871 |
Michael Mabry |
39 |
1 |
Start |
Low |
| 872 |
Tony DiSpigna |
39 |
1 |
Start |
Low |
| 873 |
Dafi Kühne |
39 |
1 |
C |
Low |
| 874 |
Lita Talarico |
38 |
1 |
Start |
Low |
| 875 |
Stratford Press (Cincinnati) |
38 |
1 |
C |
Low |
| 876 |
Jarlath Hayes |
38 |
1 |
Start |
Low |
| 877 |
Calori & Vanden-Eynden |
37 |
1 |
Start |
Low |
| 878 |
Adobe Photoshop CS5 Macintosh |
37 |
1 |
Redirect |
NA |
| 879 |
The Poster |
37 |
1 |
Stub |
Low |
| 880 |
Henry Lewis Bullen |
37 |
1 |
Start |
Low |
| 881 |
Huda Smitshuijzen AbiFarès |
37 |
1 |
Start |
Low |
| 882 |
Basmah Felemban |
37 |
1 |
Start |
Low |
| 883 |
Laurie Haycock Makela |
37 |
1 |
C |
Low |
| 884 |
Andriy Chebykin |
37 |
1 |
Start |
Low |
| 885 |
Karin Z. Sunvisson |
37 |
1 |
Start |
Unknown |
| 886 |
Visualizer (advertising) |
36 |
1 |
Redirect |
Low |
| 887 |
Ron Miriello |
36 |
1 |
C |
Low |
| 888 |
Sony Ziris |
36 |
1 |
Start |
Mid |
| 889 |
Elsa Jernås |
36 |
1 |
Start |
Low |
| 890 |
Tinc (retail) |
35 |
1 |
Stub |
Low |
| 891 |
Jo Mazelis |
35 |
1 |
C |
Mid |
| 892 |
Helene Nonné-Schmidt |
35 |
1 |
Start |
Low |
| 893 |
Anthony Mann (designer) |
35 |
1 |
Unknown |
Unknown |
| 894 |
Nico de Haas |
34 |
1 |
Stub |
Unknown |
| 895 |
Web button |
34 |
1 |
Redirect |
Low |
| 896 |
Ian Moo-Young |
34 |
1 |
Start |
Low |
| 897 |
Donald M. Anderson |
33 |
1 |
Start |
Low |
| 898 |
Jan V. White |
33 |
1 |
Start |
Low |
| 899 |
Advertising Producers Association |
33 |
1 |
Stub |
Low |
| 900 |
Pierre Kleykamp |
33 |
1 |
Start |
Unknown |
| 901 |
Robert L. Leslie |
33 |
1 |
Start |
Low |
| 902 |
Paul Balin |
33 |
1 |
Stub |
Low |
| 903 |
Studio Harris Blondman |
33 |
1 |
Stub |
Low |
| 904 |
Do Good Design |
32 |
1 |
Stub |
Low |
| 905 |
Söre Popitz |
32 |
1 |
Start |
Low |
| 906 |
Raymond Ameijide |
31 |
1 |
Stub |
Low |
| 907 |
Paul Bennett (typographer) |
31 |
1 |
Stub |
Unknown |
| 908 |
Graphic Thought Facility |
31 |
1 |
Stub |
Unknown |
| 909 |
Ben Blank |
31 |
1 |
Start |
Low |
| 910 |
Leo Obstbaum |
31 |
1 |
Start |
Unknown |
| 911 |
Urso Chappell |
31 |
1 |
Stub |
Low |
| 912 |
Louis Silverstein |
31 |
1 |
Stub |
Low |
| 913 |
Signal (typeface) |
31 |
1 |
Start |
Low |
| 914 |
William A. Kittredge |
31 |
1 |
Start |
Low |
| 915 |
Harry Lapow |
31 |
1 |
C |
Low |
| 916 |
Graphical time warping |
31 |
1 |
C |
Low |
| 917 |
Marcia Lausen |
31 |
1 |
Stub |
Unknown |
| 918 |
Friedrich Kurt Fiedler |
30 |
1 |
Start |
Unknown |
| 919 |
Don Trousdell |
30 |
1 |
Start |
Low |
| 920 |
Anne-Birthe Hove |
30 |
1 |
Stub |
Low |
| 921 |
Lorraine Louie |
30 |
1 |
Stub |
Low |
| 922 |
Pablo Martín (graphic designer) |
30 |
1 |
Start |
Unknown |
| 923 |
Fra Paalman |
30 |
1 |
C |
Low |
| 924 |
Trickett & Webb |
29 |
0 |
Stub |
Low |
| 925 |
Finn Nygaard |
29 |
0 |
Start |
Unknown |
| 926 |
Moses Bahelfer |
29 |
0 |
Start |
Unknown |
| 927 |
LeRoy Winbush |
29 |
0 |
Start |
Low |
| 928 |
Abel Mignon |
29 |
0 |
Start |
Low |
| 929 |
Arabik Baghdasarian |
29 |
0 |
Start |
Unknown |
| 930 |
Document composition |
28 |
0 |
Stub |
Mid |
| 931 |
John Charles Norman |
28 |
0 |
Stub |
Low |
| 932 |
J. Thomson Willing |
28 |
0 |
Start |
Low |
| 933 |
Kijuro Yahagi |
28 |
0 |
Start |
Low |
| 934 |
Gene Mackles |
28 |
0 |
Stub |
Unknown |
| 935 |
Noel Martin |
27 |
0 |
Start |
Low |
| 936 |
Sally Carns |
27 |
0 |
Stub |
Low |
| 937 |
WireframeSketcher |
27 |
0 |
Start |
Low |
| 938 |
Hugo Puttaert |
27 |
0 |
Start |
Low |
| 939 |
Carl Purington Rollins |
27 |
0 |
Start |
Low |
| 940 |
Bernie Haynes Robynson |
27 |
0 |
Start |
Low |
| 941 |
Roger Ferriter |
26 |
0 |
Start |
Low |
| 942 |
Romana Javitz |
26 |
0 |
C |
Low |
| 943 |
Pino Tovaglia |
26 |
0 |
Start |
Mid |
| 944 |
Edward Epstean |
26 |
0 |
Start |
Low |
| 945 |
Monica Ulmanu |
26 |
0 |
Stub |
Unknown |
| 946 |
Jakup Ferri (artist) |
26 |
0 |
Start |
Low |
| 947 |
Ruedi Külling |
26 |
0 |
Stub |
Low |
| 948 |
The Firecracker Press |
25 |
0 |
Start |
Low |
| 949 |
Société des designers graphiques du Québec |
25 |
0 |
Start |
Low |
| 950 |
Harmen Liemburg |
25 |
0 |
Start |
Unknown |
| 951 |
Erik Heyl |
25 |
0 |
Start |
Unknown |
| 952 |
List of trademarks featuring Native Americans |
24 |
0 |
List |
Low |
| 953 |
Karen TenEyck |
24 |
0 |
Start |
Unknown |
| 954 |
Gail Swanlund |
24 |
0 |
Start |
Unknown |
| 955 |
Jennifer Kinon |
24 |
0 |
Stub |
Unknown |
| 956 |
Gruye-Vogt Organization |
24 |
0 |
Start |
Low |
| 957 |
Hugh Dubberly |
24 |
0 |
Start |
Unknown |
| 958 |
Ivo Puhonny |
23 |
0 |
Start |
Low |
| 959 |
Template generator |
23 |
0 |
Start |
High |
| 960 |
Willy de Majo |
23 |
0 |
C |
Unknown |
| 961 |
GumCo |
23 |
0 |
Stub |
Low |
| 962 |
Jason Pickleman |
23 |
0 |
Start |
Unknown |
| 963 |
Institute of Designers in Ireland |
22 |
0 |
Start |
Low |
| 964 |
Agrafka Creative Workshop |
22 |
0 |
Start |
Low |
| 965 |
Ionna Vautrin |
22 |
0 |
Start |
Low |
| 966 |
Gyorgy Bp. Szabo |
21 |
0 |
Start |
Low |
| 967 |
Warren Group – Studio Deluxe |
21 |
0 |
Start |
Low |
| 968 |
Krome photos |
21 |
0 |
Stub |
Low |
| 969 |
Gerrit Willem Ovink |
21 |
0 |
Stub |
Low |
| 970 |
Henrietta Condak |
21 |
0 |
Start |
Unknown |
| 971 |
Hans Leistikow (artist) |
21 |
0 |
Start |
Low |
| 972 |
Wiesław Rosocha |
20 |
0 |
Stub |
Low |
| 973 |
Francesco Torniello |
20 |
0 |
Start |
Low |
| 974 |
Ray Nash |
20 |
0 |
Start |
Low |
| 975 |
Marget Larsen |
20 |
0 |
Start |
Low |
| 976 |
Noiseless |
20 |
0 |
Start |
Low |
| 977 |
Futuracha Pro |
20 |
0 |
Stub |
Low |
| 978 |
Charles Burki |
20 |
0 |
Stub |
Low |
| 979 |
Autonomy: The Cover Designs of Anarchy 1961–1970 |
20 |
0 |
Start |
Low |
| 980 |
Stanisław Czerski |
19 |
0 |
Stub |
Unknown |
| 981 |
Saul Mandel |
19 |
0 |
Start |
Low |
| 982 |
Ivan Ivanitsky |
19 |
0 |
Start |
Low |
| 983 |
Marion Sampler |
19 |
0 |
C |
Low |
| 984 |
Liz McQuiston |
19 |
0 |
Start |
Low |
| 985 |
Strategy visualization |
18 |
0 |
Stub |
Low |
| 986 |
Communicate: Independent British Graphic Design since the Sixties |
18 |
0 |
Stub |
Unknown |
| 987 |
Don Fish |
18 |
0 |
Stub |
Low |
| 988 |
P. J. Conkwright |
18 |
0 |
Start |
Low |
| 989 |
Glenn Goluska |
18 |
0 |
Stub |
Unknown |
| 990 |
Burton Emmett |
18 |
0 |
Start |
Unknown |
| 991 |
Kim Rees |
18 |
0 |
Start |
Unknown |
| 992 |
Gonzalo Tassier |
17 |
0 |
Start |
Low |
| 993 |
Fabio Mochi |
17 |
0 |
Start |
Low |
| 994 |
Alfred H. Howard |
17 |
0 |
Stub |
Unknown |
| 995 |
3D Artist |
16 |
0 |
Redirect |
Low |
| 996 |
Michel Wlassikoff |
16 |
0 |
Stub |
Low |
| 997 |
Joel Robinson (graphic designer) |
16 |
0 |
Start |
Low |
| 998 |
Boudewijn Ietswaart |
16 |
0 |
C |
Low |
| 999 |
The Poster Workshop |
16 |
0 |
Stub |
Unknown |
| 1000 |
Studio Number One |
16 |
0 |
Redirect |
Low |
|
