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Yokohama-e

From Wikipedia, the free encyclopedia

Yokohama-e (横浜絵, "Yokohama pictures") are Japanese woodblock prints depicting non–East Asian foreigners and scenes in the port city of Yokohama.

History

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The port of Yokohama was opened to foreigners in 1859, and ukiyo-e artists, primarily of the Utagawa school, produced more than 800 different woodblock prints in response to a general curiosity about these strangers. The earliest known depictions of the genre are credited to Utagawa Kuniaki I, a pupil of Kunisada active until 1868. The production of yokohama-e ceased in the 1880s.[1]"

Artists

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The most prolific artists working in this genre were Utagawa Yoshitora, Utagawa Yoshikazu, Utagawa Sadahide, Utagawa Yoshiiku, Utagawa Yoshimori, Utagawa Hiroshige II, Utagawa Hiroshige III, Utagawa Yoshitoyo, and Utagawa Yoshitomi.

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References

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  1. Milone, Marco (2022). Ukiyo-e: il periodo classico (in Italian). L'Erudita. p. 224. ISBN 9788867707270.
  2. "Isshinsai Yoshikata | Big Elephants Being Attacked | Japan | Edo period (1615–1868)". The Metropolitan Museum of Art. Retrieved 24 March 2024.
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