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Malayamarutam

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Malayamarutam
ArohanamS R₁ G₃ P D₂ N₂ Ṡ
AvarohanamṠ N₂ D₂ P G₃ R₁ S

Malayamarutam is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a janya rāgam (derived scale), as it does not have all the seven swaras (musical notes). This scale is used in Hindustani music in recent years by instrumentalists.[1] This is a morning raga[1][2] and regularly used in programmes and functions of the mornings.

Structure and Lakshana

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Malayamarutam scale with shadjam at C

Malayamarutam is a symmetric rāgam that does not contain madhyamam. It is a hexatonic scale (shadava-shadava rāgam[2] in Carnatic music classification). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as what follows (see swaras in Carnatic music for details on the below notation and terms):

The notes used in this scale are shadjam, shuddha rishabham, antara gandharam, panchamam, chathusruthi dhaivatham and kaisiki nishadam. Malayamarutam is considered a janya rāgam of Chakravakam, the 16th Melakarta rāgam, though it can be derived from Ramapriya also, by dropping madhyamam.

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  • Valaji is a rāgam which does not have shuddha rishabham in both ascending and descending scales compared to Malayamarutam. Its ārohaṇa-avarohaṇa structure is S G3 P D2 N2 S : S N2 D2 P G3 S
  • Rasikaranjani is a ragam that does not have the nishadham in both arohana and avarohana compared to Malayamarutam.

Notes

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  1. ↑ Alternate notations:
    • Hindustani: S Ṟ G P D Ṉ Ṡ
    • Western: C D♭ E G A B♭ C
  2. ↑ Alternate notations:
    • Hindustani: Ṡ Ṉ D P G Ṟ S
    • Western: C B♭ A G E D♭ C

References

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  1. 1 2 Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
  2. 1 2 Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications